Inside the Course

Over 2 Hours of Lessons

  • Find Your Voice

    Creating an original voice and sound on your instrument can be one of the most difficult parts of the process. I'll give you the most effective paths that helped me to find my own.

  • Learn New Licks

    Transcription is at the core of my learning process, and we'll explore some great concepts and exercises for finding and implementing new licks.

  • Motivic Development

    With motivic development you can create an endless stream of ideas for solos and bass lines, and never feel like you don't know what to play.

Course curriculum

  • 1

    Improvisation: Chapter 1

    • Pat Metheny playing over V-I

    • V-to-I-idea

    • Playing outside: Bmaj scale over G7

    • Chromatic-Major-Scale-Fragment

    • Rhythmic Displacement

    • Diminished-over-dominant
  • 2

    Improvisation: Chapter 2

    • MIchael Brecker: Playing outside the changes

    • Brecker-Bye-George

    • Working an idea around the instrument

    • Breaking down the elements of "Outside"
  • 3

    Improvisation: Chapter 3

    • Big Breakthrough: You don't have to transcribe bass to be a better bass player!

    • Piano-Vocabulary

    • Creating tension when the harmony isn't moving

    • Exploring maj7 shapes: Inside and Outside
  • 4

    Improvisation: Chapter 4

    • Important note for our last three videos in the course

    • Getting inside the basics to make the complex sound natural

    • Using the space as much as you use the notes

    • Making examples of everything we've covered so far

Pricing options

Buy the course as a stand-alone product, or find a subscription or bundle option that works for your budget.

Improvisation Masterclass

Become a master of your own voice.

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